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                    <image:loc>https://freight.cargo.site/t/original/i/E3170846252206694078445846599739/Clip_2_web.mp4</image:loc>
                                            <image:caption>01    Performance: Traces of Negotiation, Space: Galerie Elisabeth &amp;#x26; Reinhard Hauff, Performer: Caro Vogt playing the claw 
&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;  Nov 21. 2025&lt;/span&gt;

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                                            <image:caption>01    
 Performance: Traces of Negotiation, Space: Galerie Elisabeth &amp;#x26; Reinhard Hauff, Artist and Choreographer: Sarah Maria Serve scanning the wall&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;  Nov 21. 2025&lt;/span&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/J3177117803465821360525842913339/Clip_Ida.mp4</image:loc>
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01    Performance: Traces of Negotiation, Space: Galerie Elisabeth &amp;#x26; Reinhard Hauff, Performer: Ida Wragge between fear and confidence &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;  Nov 21. 2025&lt;/span&gt;

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01    Performance: Traces of Negotiation, Space: Galerie Elisabeth &amp;#x26; Reinhard Hauff, Performer: Andrea Irion finding protection in exhaustion &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;  Nov 21. 2025&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4); --font-scale: 1.2;&quot;&gt;In the performance, four bodies respond to Wolfgang Flad&amp;#x27;s installation engaging with material, surface, and structure. Wearing oversized glass body-extensions shifts the relationship between body and environment, between control and vulnerability. Through the development of analytical, resting, and dynamic poses, questions of identity, power, and visibility are physically negotiated. Movement becomes a trace; the body, a resonant space. Between fragility and resistance, a moment of confrontation emerges. Within lies the transformation into a space of appropriation, shaped by the rhythm of protest and by rhythm of trust.&lt;br /&gt;&lt;br /&gt;With the permission of Wolfgang Flad and the gallery the collective could give in to its &lt;u&gt;&lt;a href=&quot;stretch-and-scratch&quot; rel=&quot;history&quot;&gt;scratching&lt;/a&gt;&lt;/u&gt;, peeling the “dust” off the wall to open a room of reflection. &lt;br /&gt;

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&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;&lt;div style=&quot;text-align: right&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;
&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;&lt;i&gt;Filmed by Jan Hottmann&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Edited by Sarah Maria Serve&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/C3177209790737689083524313323579/231A5196_1.mp4</image:loc>
                                            <image:caption>02    Performance: Train Me!,  Space: Württembergischer Kunstverein, Stuttgart  
&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;Nov 21. 2025&lt;br /&gt;&lt;br /&gt;

&lt;span style=&quot;--font-scale: 1.2;&quot;&gt;4 red mats, 4 claws, 1 body.&lt;/span&gt;&lt;span style=&quot;--font-scale: 1.2;&quot;&gt; Pose.&lt;/span&gt;&lt;span style=&quot;--font-scale: 1.2;&quot;&gt; In the performance ‘TRAIN ME!’, Sarah Maria Serve offers an insight into her training session with the four claws. &lt;/span&gt;&lt;span style=&quot;--font-scale: 1.2;&quot;&gt;Through a performative exploration of intimacy and control, vulnerability and resistance, the artist develops new poses that allow the body to be experienced as a tool for transformation.            &lt;/span&gt;&lt;/span&gt;&lt;div style=&quot;text-align: right&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;  
&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;&lt;i&gt;Filmed by Jan Hottmann&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;Edited by Sarah Maria Serve&lt;/i&gt;&lt;/span&gt;

&lt;/span&gt;&lt;/div&gt;
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02    Performance: Train Me!,  Space: Württembergischer Kunstverein, Stuttgart  &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;Nov 21. 2025&lt;br /&gt;
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&lt;audio-player label=&quot;02 Reconciling with the Claw&quot; loop=&quot;true&quot; src=&quot;https://freight.cargo.site/m/U3179514441884321431028473862203/They-Help-Me_12.mp3&quot;&gt;&lt;/audio-player&gt;

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03   
Performance: Shelter, stripped,  Space: Halle 93, Performer: Mathilde Le Monnier activating the verticality   &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;May 29. 2026


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&lt;audio-player label=&quot;03 Activating the Verticality&quot; loop=&quot;true&quot; src=&quot;https://freight.cargo.site/m/S3179544970766148074419950000187/231A5196_1.mp3&quot;&gt;&lt;/audio-player&gt;

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&lt;audio-player label=&quot;03 Playing the Game&quot; loop=&quot;true&quot; src=&quot;https://freight.cargo.site/m/T3179543423988210749800337446971/231A5196_3.mp3&quot;&gt;&lt;/audio-player&gt;&lt;br /&gt;
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03   
Performance: Shelter, stripped,  Space: Halle 93, Performer: Mila Kostovic emphazising the rhythm &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;  May 29. 2026&lt;/span&gt;





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                    <image:loc>https://freight.cargo.site/t/original/i/W3178013319823046683293265762363/231A5196_10.mp4</image:loc>
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03   
Performance: Shelter, stripped,  Space: Halle 93, 
 Artist and Choreographer: Sarah Maria Serve&lt;br /&gt;leaving traces &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt; &lt;/span&gt;  &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;May 29. 2026&lt;/span&gt;

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03   
Performance: Shelter, stripped,  Space: Halle 93, 
 Ida Zimmermann, Mila Kostovic, Mathilde Le Monnier and Sarah Maria Serve playing the game  &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt; &lt;/span&gt;  &lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;May 29. 2026&lt;/span&gt;

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