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https://freight.cargo.site/t/original/i/E3170846252206694078445846599739/Clip_2_web.mp4
01 Performance: Traces of Negotiation, Space: Galerie Elisabeth & Reinhard Hauff, Performer: Caro Vogt playing the claw
<span style="color: rgba(0, 0, 0, 0.4);"> Nov 21. 2025</span>
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https://freight.cargo.site/t/original/i/E3177113029909623686336623482939/Clip_Sarah_scanning.mp4
01
Performance: Traces of Negotiation, Space: Galerie Elisabeth & Reinhard Hauff, Artist and Choreographer: Sarah Maria Serve scanning the wall<span style="color: rgba(0, 0, 0, 0.4);"> Nov 21. 2025</span>
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https://freight.cargo.site/t/original/i/J3177117803465821360525842913339/Clip_Ida.mp4
01 Performance: Traces of Negotiation, Space: Galerie Elisabeth & Reinhard Hauff, Performer: Ida Wragge between fear and confidence <span style="color: rgba(0, 0, 0, 0.4);"> Nov 21. 2025</span>
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https://freight.cargo.site/t/original/i/W3177117803558055080894390671419/Clip_Andrea.mp4
01 Performance: Traces of Negotiation, Space: Galerie Elisabeth & Reinhard Hauff, Performer: Andrea Irion finding protection in exhaustion <span style="color: rgba(0, 0, 0, 0.4);"> Nov 21. 2025<br />
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<div style="text-align: left">“Traces of Negotiation“ was created as part of Sarah Maria Serve’s master’s thesis entitled „Body Knowledge Would Be Power“ at the State Academy of Fine Arts Stuttgart, which was awarded 2025 with the Academy Prize of the State Academy of Fine Arts Stuttgart in Architecture.<br /><br />In the performance, four bodies respond to Wolfgang Flad's space — engaging with material, surface, and structure. Wearing oversized glass body extensions shifts the relationship between body and environment, between control and vulnerability. Through the development of analytical, resting, and dynamic poses, questions of identity, power, and visibility are physically negotiated. Movement becomes a trace; the body, a resonant space. Between fragility and resistance, a moment of confrontation emerges - a space of negotiation in the rhythm of protest and trust.</div>
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https://freight.cargo.site/t/original/i/C3177209790737689083524313323579/231A5196_1.mp4
02 Performance: Train Me!, Space: Württembergischer Kunstverein, Stuttgart
<span style="color: rgba(0, 0, 0, 0.4);">Nov 21. 2025<br /><br />
<div style="text-align: left">4 red mats, 4 claws, 1 body. Pose. In the performance ‘TRAIN ME!’, Sarah Maria Serve offers an insight into her training session with the four claws.
Through a performative exploration of intimacy and control, vulnerability and resistance, the artist develops new poses that allow the body to be experienced as a tool for transformation.</div>
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https://freight.cargo.site/t/original/i/K3177218448366531941701882812475/Train-me_protest-claw_2.mp4
02 Performance: Train Me!, Space: Württembergischer Kunstverein, Stuttgart <span style="color: rgba(0, 0, 0, 0.4);">Nov 21. 2025</span>
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https://freight.cargo.site/t/original/i/X3177446278015160784049739995195/231A5196_1.mp4
03
Performance: Shelter, stripped, Space: Halle 93,
Artist and Choreographer: Sarah Maria Serve streching <span style="color: rgba(0, 0, 0, 0.4);"> </span>
<span style="color: rgba(0, 0, 0, 0.4);">May 29. 2026</span>
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https://freight.cargo.site/t/original/i/P3177459531318248213635322681403/231A5196_7.mp4
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Performance: Shelter, stripped, Space: Halle 93, Performer: Mathilde Le Monnier activating the crane <span style="color: rgba(0, 0, 0, 0.4);">May 29. 2026</span>
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https://sarahmariaserve.com/02-train-me!
2026-10-12T18:48:26+00:00
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